My ongoing research is on the theme of Indo-Islamic syncretism in South India. Its focus is on ‘Dudekulas’ a community of Muslim musicians spread over Andhra and Telangana, who are hereditary nagaswaram players. A significant instrument steeped in the classical Carnatic music tradition, its music is also an integral part of the rituals and ceremonies of the major temples of the region. The caste of Dudekulas have a history of being converted to Islam by a Sufi saint of the 12th century. The caste, formally Muslim, is known for its Hinduised religious beliefs and practices and reflects a flexibility of identity demonstrated over several centuries in which the canonical institutions of Islam and Hinduism did not interfere. In the contemporary scenario, demands for choosing one or other identity have arisen from several external forces.
The research is based on ethnographic fieldwork, and historical sources.
My Article:
2025 “Between Jamaath and Temple: Muslim Nagaswaram Musicians in Andhra,” Transarea Journal (Theme: Reconceptualising Civilisation), Somaiya School of Civilisation Studies, Spring Issue, 1:17–40.
A short documentary has been made based on the above article by Frontline Perspectives.